Sep 18, 2009

thoughts on being an artist

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Sometime during the last year, I suddenly found myself somehow able to make a living from my drawings. Here are some notes:

1. I love it. Why the hell wouldn’t I?

2. “90% of success is showing up.” Like the famous British artist, Tracy Emin once said, “You don’t get to be Tracy Emin by being a slacker.” One thing you learn from befriending successful artists like Hazel Dooney or John T. Unger is JUST HOW HARD they keep at it, just to keep the show on the road. Insane. You can never turn the switch off. Doesn’t happen. Nor would you want it to.

3. I still don’t much like the word “Artist” to describe myself, but I’m getting more OK with it. I still like the word, “Cartoonist”, but I feel myself outgrowing that, somehow. The good news is, I’m not sure if any of this matters in the grand scheme of things.

4. “Good ideas have lonely childhoods”. There are a few art folk out there, trying to conquer this new Web 2.0 world of ours- Hazel, John T., Mary Anne Davis, Amrita on the gallery side, and a couple of others- but the number of people who REALLY GET IT still seems surprisingly tiny. Still, you could say the same thing about bloggers, ten years ago. It’s still early days.

5. Slavery is expensive. Riddle: Hang out in any gallery scene in any big city for long enough- New York, London, Chicago, Sydney, Los Angeles- and what do you see? Answer: The same frickin’ people. Most gallery scenes exist to supply free wine for the hangers-on, NOT to connect artists with collectors. The occasional (and increasingly rare) art star is the exception to prove the rule. Why artists still enslave themselves to an outmoded gallery model that proves itself ineffective IN THE VAST MAJORITY OF CASES still baffles me. It’s not as if the wine is ever that good, to begin with.

6. I’m spending less time asking, “Who are my readers?” and more time asking, “Who are my users?” Funny how having a proper business to run changes everything…

7. I haven’t forgotten about the books. I’m still writing away, having fun. Don’t see myself stopping, anytime soon.

8. It’s getting increasingly harder to wear so many hats. As the market demands more and more drawings from me, other sides to my business- consulting etc.- get harder to make time for. That being said, I am wondering what I’ve learned as an artist that could be helpful to other types of businesses. It’s something I think about a lot, these days.

[UPDATE:] John T. Unger left a great comment below:

I’ve been thin­king about this a lot lately too. Yes­ter­day in the stu­dio I was just kind of blown away by how much my life as an artist has chan­ged with suc­cess. The day was punc­tua­ted by trucks arri­ving to bring pallets, trucks coming to haul away tons of scrap for recyc­ling, trucks pic­king up art to ship, orders for more mate­rials to com­plete a 22 piece sale of fire­bowls that will go to Nor­way, an inter­view, a con­fe­rence call for a major hotel pro­ject, etc. if you’d told me I’d be ope­ra­ting like this five years ago I might not have belie­ved it des­pite the fact that I always had faith that my art was worth pursuing.

The thing about wor­king as an artist is that you never rea­lize how much of the work is on top of making the actual art. I was remem­be­ring how when I star­ted out, I would visit the stu­dios of more esta­blished artists and couldn’t begin to grasp how they ran the show. It’s taken years to slowly put each piece in place. Every day there’s new pro­blems to solve, but if you can solve them in a way that sticks— so that from now on that issue is cove­red, even­tually you come up with an effi­cient sys­tem for sup­por­ting the most impor­tant work you do, which is the art.

I’ve got some sup­port staff now, but still, most of the work and most of the pro­blem sol­ving comes down to me. I like to keep it close to hand… but the only way to do that is to work long hours, get orga­ni­zed as hell, and meet every dead­line early. The weird thing maybe is lear­ning that the bet­ter I get at get­ting things done, the more I do. I seem to just keep taking on more and more pro­jects and fin­ding time to do all of them by inc­rea­sing the effi­ciency of how I do them.

It’s a crazy cir­cus, but I’ve never loved life more.

Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book.. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

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